All posts tagged: kodak

Banff (In Monochrome): New City, New Film – Acros & T-Max 100/400

This article shows off some of the black and white negative film I tried out on my vacation to Banff, CA in April2019. To see some of the color negative work, please follow this link. Several of this films in this article have exposure tested and compared to other B&W negative films – this article is located here.   The Canadian Rockies were calling and we answered. In a moment of spontaneity and luck finding round-trip tickets for only 18k points, we got our tickets and booked a hotel within a couple hours and I immediately started thinking about what film I was going to take. For ease (and out of pure laziness) I needed to make sure everything was ASA 400 or slower so I didn’t have to have the film hand-checked. For black and white negative film, I ended up taking a pro pack of T-Max 400 120 and 1 roll of 35mm. A few rolls of T-Max 100 120 and a couple rolls of Acros 120. Acros Of all the films I …

Banff (In Color): New City, New Film – Ektar & Portra 160

This article shows off some of the color negative film I tried out on my vacation to Banff, CA in April2019. To see some of the black and white negative work, please follow this link.  Several of this films in this article have exposure tested and compared to other color negative films – this article is located here.   The Canadian Rockies were calling and we answered. In a moment of spontaneity and luck finding round-trip tickets for only 18k points, we got our tickets and booked a hotel within a couple hours and I immediately started thinking about what film I was going to take. For ease (and out of pure laziness) I needed to make sure everything was ASA 400 or slower so I didn’t have to have the film hand-checked. For color negative film, I ended up taking a pro pack of Portra 400 (per usual), Ektar, and Portra 160. I also ended up taking a few rolls of Fuji Provia and Ektachrome. Portra 160 I gave this film a shot after …

Interview: David Chan

“Once I got the hang of it, it was easy to see why so many photographers are (re)discovering film. The way that light renders on film is simply magic…” David is an avid film photographer in California. I came across his work shortly after a trip he took to Banff and I was blown away by his work. His panoramic photos made me want an X-Pan (or Fujifilm TX-1), the colors in photos made me want to try Ektar again, and the energy of his work has inspired me to travel and take more photographs. JM: Thanks so much for doing this.  Your shots in Banff have inspired me to try Ektar again after one failed roll.  I’ve really appreciated all the direction and advice about my trip to Banff and photography in general. JM: Why do you shoot film? DC: I took some film and darkroom classes in high school and college, but it wasn’t until about a few years ago that I started seriously pursuing photography as a hobby again after purchasing a …

Interview: Craig McIntosh

“When I made the move from digital to shooting on film I immediately noticed how much it forced me to slow down and actually think about how I wanted to compose the scene or my subject.” Craig is a film photographer in Scotland. His work is really creative and has helped me to focus on the importance of light and setting up the framing to emphasize light. He also has a website you should check out (he suggests looking at it on a desktop to fully appreciate it). MH: Hey Craig! Thanks so much for doing this! I really love your style and hope learning more about you can help me start to see light the way you do. MH: Why do you shoot film? CM: Film photography as a medium just works for me. When I made the move from digital to shooting on film I immediately noticed how much it forced me to slow down and actually think about how I wanted to compose the scene or my subject. Every photo you take …

Experiment 1: Exposure Testing 11 Film Stocks

In this experiment, we exposure tested 11 film stocks and Kodak Portra 400 pushed one stop to 800. Among the color films, we tested: Kodak Ektar 100, Kodak Portra 400, Portra 400 Pushed One Stop, Kodak Portra 800, and Fuji Pro 400H. Among the Black and White films, we tested: Ilford PanF, Kodak TMax 100, Kodak TMax 400, Kodak Tri-X, Ilford HP5, Ilford XP2 Super, Ilford Delta 3200. To ensure consistency throughout the experiment, the film stock was the only experimental condition. The control conditions are as follows: Camera: Hasselblad 501CM Lens: 60mm f/3.5 CB Lighting: 2 Profoto B1X with diffusers Light meter: Sekonic Lightmaster Focusing Aid: Schneider Kreuznach 4x loupe The loupe was used to set the focus at the start of the exposure test for each film stock. To ensure the exposure value (EV) was correct, the light meter (using an incident setting) was used to identify the neutral exposure as well as each EV in the center of the frame. All B&W film was developed by the Darkroom Lab and all C-41 …

Interview: Peter Gotz

“I realized how important portraiture is in the grand scheme of things and how important it is to photograph the people you love“ When I first came across Peter’s IG account, I felt really compelled by his photos – they all feel so genuine. I hope that as I grow as a photographer, I can capture as many moments in such spectacular beauty as Peter has been doing. JM: Hey Pete! Thanks for agreeing to do this.  As far as film photographers that I only know through social media go, I’d say I feel most akin to your style.  I really look forward to getting to know more about you.  JM: Why do you shoot film? PG: There’s a comfort and confidence that comes along with shooting film. You have a certain set of skills and you have to trust in yourself when you pit yourself against a scene. You gotta trust your instincts and get into a flow where you are sure of your composition and exposure choices. Once you commit and capture your …

Interview: Meagan Mastriani

“When I have a limited number of shots, I choose them more carefully, and I’m relieved of the pressure to capture everything.” You can find more of Meagan’s work on her Instagram.  When I was in college I met a guy named James who would become one of my closest friends. Years later he started dating Meagan subsequently we became good friends as well. Eventually, Meagan got James into film and then the two of them got me into film. There’s been no looking back. JM – Thanks again for doing this.  Without having you in my life, I doubt very seriously I would have have gotten back into film photography.  I’ve always looked up to James and I think you’ve been a huge influence to his creative side and between the two of you, a huge influence on mine.  I think it’s only fitting that you be the first person I ask to interview.  Hopefully, your love for film can influence others as it did me. MM – I’m happy and flattered you’d want me to be …