All posts tagged: fujifilm

Experiment 1: Exposure Testing 11 Film Stocks

In this experiment, we exposure tested 11 film stocks and Kodak Portra 400 pushed one stop to 800. Among the color films, we tested: Kodak Ektar 100, Kodak Portra 400, Portra 400 Pushed One Stop, Kodak Portra 800, and Fuji Pro 400H. Among the Black and White films, we tested: Ilford PanF, Kodak TMax 100, Kodak TMax 400, Kodak Tri-X, Ilford HP5, Ilford XP2 Super, Ilford Delta 3200. To ensure consistency throughout the experiment, the film stock was the only experimental condition. The control conditions are as follows: Camera: Hasselblad 501CM Lens: 60mm f/3.5 CB Lighting: 2 Profoto B1X with diffusers Light meter: Sekonic Lightmaster Focusing Aid: Schneider Kreuznach 4x loupe The loupe was used to set the focus at the start of the exposure test for each film stock. To ensure the exposure value (EV) was correct, the light meter (using an incident setting) was used to identify the neutral exposure as well as each EV in the center of the frame. All B&W film was developed by the Darkroom Lab and all C-41 …

Flagstaff: New city, new film – Ektachrome and Provia

Similar to the story when I went to NYC, I went to Arizona in mid-late 2018 for Brittany’s birthday and we planned to go the Grand Canyon and Flagstaff for two days of hiking – two places I’ve never visited and was very excited to see. To make it even better, the quaking aspens outside of Flagstaff happened to be changing color.  It happens only for about a week a year and there was no way for us to have planned for that when we booked the trip.  As you can imagine, we felt quite lucky and wanted to take full advantage. I decided to do the best, most well-thought out thing I could do.  I was going to shoot through two stocks I’ve never used before and have little to no idea how they would behave.  I may well never go back to these places again and it is extraordinarily unlikely I’ll be there again at the time of year to experience those same or even similar experiences.  Obviously, if you want to make …

Review: Fuifilm Fujicolor Superia X-TRA 800

One of the primary reasons I started this site was for a lack of a information on the web that provided film reviews from one person – I always found forums and flickr to have to much variety.  On filckr in particular, photos ranged from terrible pictures that makes one wonder if the photographer knew how to use a meter or if the photo was taken by a professional and all of their pictures look amazing.  One site I look to a lot is Alex Burke’s (his work is amazing and I have learned a lot from reading through it) but I sometimes found it frustrating that some film stocks he reviewed were discontinued. With all that said, let me talk about the film stock that got me back into film photography.  It was cheap, widely availble, and came in rolls of 24exp so I could shoot through them quickly and get them developed the same day.  Was great for someone transitioning back into film after owning a digital camera for years. I won’t talk …

Review: Fujifilm Fujichrome Provia 100F RDP-III

If you’ve never shot a roll of slide film, you should absolutely do it now. The sensation you get from holding the diapositives (or slides if you’re shooting 35mm and you get them mounted) is exhilarating. I still get the same rush of looking at them the 20th time as I got the 1st time. It’s hard to overstate how much I love Provia. My first foray into slide film was Ektachrome as soon as the new stock came last year. Since Ektachrome wasn’t available in 120 and I wanted the chance to shoot through a roll in my Mamiya on a trip to Arizona we were taking in October, I picked up some Provia. The vibe of it is just unreal. The tones are amazing and there’s so much clarity… I took a good scan of the first photos and printed it out into a 24in x 36in sheet and it couldn’t look any better. I honestly think it’s sharper than an equivalent shot on my digital camera (Sony a7). That’s enough of the …