All posts tagged: film photography

Interview: Seth Gaffar

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“I think the big change I have noticed since moving to shooting film is striving to make more authentic images…” Seth’s work is incredibly interesting. I don’t think I’ve ever seen someone who has such tasteful first of the roll shots or light leaks. Much of his work is based on coastal living and captures a life that inspires. I love his work and look forward to hearing what he has to say about film photography. His instagram account can be found here. JM – Why do you shoot film? SG – I shoot film for the love of the process and the challenge. I know a lot of people talk about quality or the archival aspect but I just love the whole process of shooting film so much more than digital. I feel that with film you really focus on every shot; there is no looking at the back of a screen to take you out of the moment… JM – What is your favorite film?  Camera? SG – I think my original love …

Interview: Gabriel Maldonado

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“Film is alive and no matter how much you plan, it’s going to do what its going to do.” Gabriel is an amazing portrait photographer out in Orange County, CA. His work is really unique and quite engrossing. I highly suggest you check out his instagram and website. JM – Why do you shoot film? GM – I couldn’t afford a full frame digital and I really wanted to start photography after doing video for so long. Then I asked myself why do I want to shoot digital when I’m just going to try and copy the look and feel of film in post. Well we all know you can NEVER copy the look and feel of film.  JM – What is your favorite film?  Camera? GM – Hate to sound cliché but it works and it’s never failed me. PORTRA 400. I’ve tried others and the only one that has come close to the love I have for portra is Cinestill 800t. GM – My favorite camera is my current most recent acquisition, a …

Interview: Gareth Morton

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“Film feels random and organic and beautiful. I love how different films have different qualities…” Gareth Morton is a film photographer based in the U.K.. His work is quite strong and he is quite humble about it. You should check out his website and/or instagram. Recently he started The Ten Shot Project with Rick Davy in which they post ten shots with one theme from one photographer. Please check out the website and instagram. JM – Why do you shoot film? GM – This would have to be the first question, ha. It’s one of those that I find most difficult to articulate an answer for. Firstly, it would have to be the aesthetic qualities of film. The colour palette that certain films give as well as the natural grain structure, a by product of the silver in the emulsion. Film feels random and organic and beautiful. I love how different films have different qualities like more or less contrast, more or less saturation, different colour qualities and the way negative film renders from the …

Montréal: New City, New Film – Cinestill BWXX

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Soon after our trip to Banff, AB (color and B&W), we went to Montréal, QC for my birthday. I shot through roll Ektar when I arrived and picked up a roll of Cinestill BWXX for myself for my birthday. Unfortunately the weather was not so favorable and you can tell. So much so that a long hike from the city center to the top of Mount Royal resulted in a beautiful view of grey fog. I shot through most of the roll in the poor weather only to see it clear up as I went through my last few shots. Nevertheless, the moody weather felt right for a cinematic film. Acros and T-Max 400 As mentioned before, I shot through some other film and I honestly liked the results from them a bit more than the Cinestill. Still though… It’s good to try out some new stuff.

Interview: Christopher Hamberger

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“There is an honesty to film.  Almost all of the decisions to be made in the resulting image happen before or during the shot when you shoot film…” Chris is a talented film photographer located in Kentucky, USA. His work ranges in style and content but the quality is consistently high. Not long ago he started up the Film Community Map which if you haven’t checked it out yet, you should straight away. JM: Why do you shoot film? CH: There is an honesty to film.  Almost all of the decisions to be made in the resulting image happen before or during the shot when you shoot film; whereas in digital there is so much that goes into editing and post.  I suppose I’d describe film as akin to a documentary whereas digital is more “based-on-a-true-story,” full of dramatic exaggeration. JM: What is your favorite film?  Camera? CH: I can never pick one!  But I’ve narrowed it down to two:  Portra 160 and Cinestill 800T. Portra 160 is one of the most versatile films I’ve …

Review: Kodak Ektar 100

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To see Kodak Ektar exposure tested along side 10 other film stocks, follow this link. To see my first (substantial) attempt at shooting Ektar while in Banff, follow this link. In the fall of 2018 I headed to Arizona for the second time and intended to see the Grand Canyon for the first time (btw, it was as grand as the name implies. Lots and lots of grand.) and when deciding what film to take, Ektar never crossed my mind. I thought to myself – I’ve shot a couple rolls of Ektar before and hated it. A lot. Then I found the work of Pete and David and decided I didn’t give Ektar a fair shake in my previous attempts. Albeit, I believe now that what I didn’t like was in fact the scans from the lab I was using moreso than the film itself. Color Ektar has bold colors that, coupled with the high sharpness, make it an incredible film for landscapes. Compared with Portra 400, I find this film to have a bit …

Banff (In Monochrome): New City, New Film – Acros & T-Max 100/400

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This article shows off some of the black and white negative film I tried out on my vacation to Banff, CA in April2019. To see some of the color negative work, please follow this link. Several of this films in this article have exposure tested and compared to other B&W negative films – this article is located here.   The Canadian Rockies were calling and we answered. In a moment of spontaneity and luck finding round-trip tickets for only 18k points, we got our tickets and booked a hotel within a couple hours and I immediately started thinking about what film I was going to take. For ease (and out of pure laziness) I needed to make sure everything was ASA 400 or slower so I didn’t have to have the film hand-checked. For black and white negative film, I ended up taking a pro pack of T-Max 400 120 and 1 roll of 35mm. A few rolls of T-Max 100 120 and a couple rolls of Acros 120. Acros Of all the films I …