All posts tagged: featured

Interview: Gareth Morton

“Film feels random and organic and beautiful. I love how different films have different qualities…” Gareth Morton is a film photographer based in the U.K.. His work is quite strong and he is quite humble about it. You should check out his website and/or instagram. Recently he started The Ten Shot Project with Rick Davy in which they post ten shots with one theme from one photographer. Please check it out the website and instagram. JM – Why do you shoot film? GM – This would have to be the first question, ha. It’s one of those that I find most difficult to articulate an answer for. Firstly, it would have to be the aesthetic qualities of film. The colour palette that certain films give as well as the natural grain structure, a by product of the silver in the emulsion. Film feels random and organic and beautiful. I love how different films have different qualities like more or less contrast, more or less saturation, different colour qualities and the way negative film renders from …

Banff (In Color): New City, New Film – Ektar & Portra 160

This article shows off some of the color negative film I tried out on my vacation to Banff, CA in April2019. To see some of the black and white negative work, please follow this link.  Several of this films in this article have exposure tested and compared to other color negative films – this article is located here.   The Canadian Rockies were calling and we answered. In a moment of spontaneity and luck finding round-trip tickets for only 18k points, we got our tickets and booked a hotel within a couple hours and I immediately started thinking about what film I was going to take. For ease (and out of pure laziness) I needed to make sure everything was ASA 400 or slower so I didn’t have to have the film hand-checked. For color negative film, I ended up taking a pro pack of Portra 400 (per usual), Ektar, and Portra 160. I also ended up taking a few rolls of Fuji Provia and Ektachrome. Portra 160 I gave this film a shot after …

Experiment 1: Exposure Testing 11 Film Stocks

In this experiment, we exposure tested 11 film stocks and Kodak Portra 400 pushed one stop to 800. Among the color films, we tested: Kodak Ektar 100, Kodak Portra 400, Portra 400 Pushed One Stop, Kodak Portra 800, and Fuji Pro 400H. Among the Black and White films, we tested: Ilford PanF, Kodak TMax 100, Kodak TMax 400, Kodak Tri-X, Ilford HP5, Ilford XP2 Super, Ilford Delta 3200. To ensure consistency throughout the experiment, the film stock was the only experimental condition. The control conditions are as follows: Camera: Hasselblad 501CM Lens: 60mm f/3.5 CB Lighting: 2 Profoto B1X with diffusers Light meter: Sekonic Lightmaster Focusing Aid: Schneider Kreuznach 4x loupe The loupe was used to set the focus at the start of the exposure test for each film stock. To ensure the exposure value (EV) was correct, the light meter (using an incident setting) was used to identify the neutral exposure as well as each EV in the center of the frame. All B&W film was developed by the Darkroom Lab and all C-41 …

Guide: Double Exposures (Multiple Exposures)

The first time I experienced double exposures, it was my grandmother showing me some of her old 6×6 photos in her retro photobooks.  Following that, I found myself going through IG and would be particularly attracted to these photos.  Accordingly, I hit Google and searched for ‘How to take a double exposure’.  There are some resources out there, most of which is for PS and not film.  Having experimented with it enough now and discussing the physics of it with a friend over a beer, I have a much deeper understanding for what’s happening and that has translated to better images. So here we are… I hope I can help you take double exposures you love. For those looking for a simple how-to: If your camera has a multiple exposure switch, engage the switch and take photos to your heart’s content (I would start with a double exposure before going for something with 3 or more). For those that don’t, no fear – you can do it just as easily.  Take your first exposure and …

Hocking Hills: Pushing Portra 400 1 Stop to 800

To see Kodak Portra 400 pushed to 800 exposure tested and compared with Portra 400 at box speed and Portra 800 at box speed, follow this link. To get to a review of Portra 400, follow this link. This is an article about an experience of mine pushing Kodak Portra 400 one afternoon when I was going through Hocking Hills in Ohio. On my way home in Columbus, OH from Charleston, SC, I have to pass through one of Ohio’s prettiest areas – Hocking County. As it happens, I was also going to be driving through at dusk and on a day following several snowy days. Who could pass that up? Not I says the cat. Then it hits you… It’s not just going to be dusk but you’ll be in gorge where it’ll get darker earlier and you realize you didn’t bring your tripod on the trip… No matter. You’ve got Portra 400 loaded in one of your spare film backs of your medium format camera and you go for it. Once you get …

Review: Fujifilm Fujichrome Provia 100F RDP-III

If you’ve never shot a roll of slide film, you should absolutely do it now. The sensation you get from holding the diapositives (or slides if you’re shooting 35mm and you get them mounted) is exhilarating. I still get the same rush of looking at them the 20th time as I got the 1st time. It’s hard to overstate how much I love Provia. My first foray into slide film was Ektachrome as soon as the new stock came last year. Since Ektachrome wasn’t available in 120 and I wanted the chance to shoot through a roll in my Mamiya on a trip to Arizona we were taking in October, I picked up some Provia. The vibe of it is just unreal. The tones are amazing and there’s so much clarity… I took a good scan of the first photos and printed it out into a 24in x 36in sheet and it couldn’t look any better. I honestly think it’s sharper than an equivalent shot on my digital camera (Sony a7). That’s enough of the …