All posts tagged: Featured Content

Experiment 1: Exposure Testing 11 Film Stocks

In this experiment, we exposure tested 11 film stocks and Kodak Portra 400 pushed one stop to 800. Among the color films, we tested: Kodak Ektar 100, Kodak Portra 400, Portra 400 Pushed One Stop, Kodak Portra 800, and Fuji Pro 400H. Among the Black and White films, we tested: Ilford PanF, Kodak TMax 100, Kodak TMax 400, Kodak Tri-X, Ilford HP5, Ilford XP2 Super, Ilford Delta 3200. To ensure consistency throughout the experiment, the film stock was the only experimental condition. The control conditions are as follows: Camera: Hasselblad 501CM Lens: 60mm f/3.5 CB Lighting: 2 Profoto B1X with diffusers Light meter: Sekonic Lightmaster Focusing Aid: Schneider Kreuznach 4x loupe The loupe was used to set the focus at the start of the exposure test for each film stock. To ensure the exposure value (EV) was correct, the light meter (using an incident setting) was used to identify the neutral exposure as well as each EV in the center of the frame. All B&W film was developed by the Darkroom Lab and all C-41 …

Guide: Double Exposures (Multiple Exposures)

The first time I experienced double exposures, it was my grandmother showing me some of her old 6×6 photos in her retro photobooks.  Following that, I found myself going through IG and would be particularly attracted to these photos.  Accordingly, I hit Google and searched for ‘How to take a double exposure’.  There are some resources out there, most of which is for PS and not film.  Having experimented with it enough now and discussing the physics of it with a friend over a beer, I have a much deeper understanding for what’s happening and that has translated to better images. So here we are… I hope I can help you take double exposures you love. For those looking for a simple how-to: If your camera has a multiple exposure switch, engage the switch and take photos to your heart’s content (I would start with a double exposure before going for something with 3 or more). For those that don’t, no fear – you can do it just as easily.  Take your first exposure and …

Review: Fujifilm Fujichrome Provia 100F RDP-III

If you’ve never shot a roll of slide film, you should absolutely do it now. The sensation you get from holding the diapositives (or slides if you’re shooting 35mm and you get them mounted) is exhilarating. I still get the same rush of looking at them the 20th time as I got the 1st time. It’s hard to overstate how much I love Provia. My first foray into slide film was Ektachrome as soon as the new stock came last year. Since Ektachrome wasn’t available in 120 and I wanted the chance to shoot through a roll in my Mamiya on a trip to Arizona we were taking in October, I picked up some Provia. The vibe of it is just unreal. The tones are amazing and there’s so much clarity… I took a good scan of the first photos and printed it out into a 24in x 36in sheet and it couldn’t look any better. I honestly think it’s sharper than an equivalent shot on my digital camera (Sony a7). That’s enough of the …